The Land of Counterpane

It is part of the fragmentation of life that certain states of existence can barely be recalled in others, as to a storybook sailor long away the feel of walking in the street drains first from his mind, which can conceive of only present time; and then gradually from his hands, which once flashed in free arcs at his sides and now must always be grasping stanchions or rigging; and finally from his legs and feet, which, having through greatest proximity become most accustomed to the confidently repetitive action of striding over the unmoving pavement, are the slowest to forget; and at last the sensation of walking on land becomes an abstraction, like the mountains of some country beyond the horizon. This was especially true for me when as a child I was ill. — I would wake up feeling hot and nauseous; the breakfast which my mother had made me I was unable to eat, and there was no talk of my going to school. My father, who sometimes suspected me of malingering, would study me sharply, but in the end my pallor and forehead heat would convince even him, and I would be sent back to bed for the day. I would lie there, and watch the sun slowly ascend in the sky, the other children going off past my window with their schoolbooks slung under their arms if they were boys, or held tightly against their chests if they were girls; and then I lay still and watched the clock beside me change the position of its hands with all the monotonous slowness of the great geological epochs. At five of eight the hands began to move faster; eight o’clock was the fatal hour when school began, and I knew that if I jumped out of bed even now, and dressed and ran off to school breakfastless, then I might perhaps arrive before the teacher called off my name, which, beginning as it did with “V, ” was at the bottom of the attendance list. And I knew that my father, too, if he had not already left for the office, was also looking at the clock, thinking that it might not be too late to force me out of bed and take me to school in the car; but he did his best to judge my case fairly, and reconsidered the evidence which he had seen me exhibit: Was my temperature genuinely high, and did I look all that pale? Eventually he decided that yes, I was sick; or that at any rate it would be difficult to establish that I was not well; and it would certainly be too late to take me to school; for achieving that would involve first confronting and then besting my mother, who stood with her back toward him, also looking at the clock, but only unobtrusively, between the breakfast dishes, so as not to give my father an excuse for reopening the subject; and then eight o’clock had come and the issue was decided. It was only then that the hands of the clock stopped once again, and I became completely absorbed in my state of sickness.

The world outside blurred in the sunlight, in the same way that a streetlamp, seen through tears, becomes a bright, vague star; and this lack of definition seemed to me a force with a self, swelling until it pushed against my windowpane, halted at first by the smooth, cold surface, but waiting there, growing stronger and more determined, until it was able to seep in through some edge-crack. My desk, my schoolbooks and the few toys which I had not yet given up slowly became enveloped in its luminous sparkle; the closet’s black mouth filled with it; and then it flowed around me from three sides, and into me. Charged with it, I began to forget the cues and sensations of health, as in health I could not imagine myself as feeling sick, nor could I have much empathy for my sister Julie when she had the measles, nor keep from getting angry at my teacher when she did not come in that day and we had to have a substitute. The idea of a world beyond the window, which was now a translucent slab of light, or for that matter of any other possibility than that of lying in my bed immobile, became as dry and strange as some ontological argument of the Middle Ages, and by degrees ever less likely, until when at mid-morning, my mother came in to bring me a cup of tea or some soup, I refused politely, in the same way that I would have done if she’d come to ask whether I would be willing to study law at the university. This inability to grasp my own state of existence of the day before would have possessed me so much that by midafternoon, when my mother came in to read to me, I no longer shifted my position beneath the blankets at all, but lay absolutely still in the hot faintness of my malady as though I were one of those people one reads about in old books who are always getting becalmed in the tropics.

As soon as I was old enough to read by myself I stopped having my mother read to me at night, because I always disagreed with my sister as to what should be read to us that evening; and it was so much better for me to read what I wished while Julie sat on my mother’s lap and listened to her reading from Just So Stories or a poem from A Child’s Garden of Verses (both of which I now found childish) in her slow, soft voice; and when I was sick my mother would simply buy me a book, such as Captains Courageous, which I was too proud to ask her to read to me. But when I did still like having my mother read everything to me, and I was absorbed by poems like the one about the fight between the gingham dog and the calico cat, or the one that described a voyage to Africa, in which the traveler sees the knotty crocodile of the Nile (but I used to think that it was the NAUGHTY CROCODILE that had eaten people up and so must be spanked), and he finds the toys of the old Egyptian boys and all the other things which rhyme — there was still one poem which I dreaded. It was called “The Land of Counterpane, ” and it recounted the fantasy of a child who is sick and abed with his toy soldiers. This “Land of Counterpane” is simply the topography of the wrinkled and up-thrust blankets; and the child marches his soldiers up and down the quilt-patterned hills, skirmishes them on whatever rare plains there may be, and sets up ambushes and rescues at the mouths of little vales formed by pinching the sheets into contours of sufficient exactitude. My mother could never understand why it was that I so disliked this poem, ^* but, accepting my detestation as she would have accepted one of my father’s pronouncements on some mechanical matter, she did not read the poem to me, and I felt grateful, dreading the sight of the very poem that preceded it as my mother slowly turned the pages, which were as colorful as butterflies’ wings; and feeling the smug contentment of one who has arrived alive, most bones intact, after a session or two on the rack, when we were safely a couple of poems beyond. The truth of the matter, which I was always ashamed to explain, was that the image of the wrinkles terrified me, I having just become aware of the correlation between the wrinkles on the faces of my grandparents and the fact that they were going to die within the next several decades; and once I had been prevailed upon to accept the fact of my own death, I started feeling my face every day for wrinkles, knowing that one day they would come; and I watched my parents closely, noticing with horror the ever-lessening resemblance between my mother and her bridal picture in the family album, and the fact that my father’s hair was slowly graying; and when I lay in bed all day, the eerie luminescence of my sickness in me and all about me, my inability to recall my healthy state in any real sense made the wrinkles of my own “Land of Counterpane” seem a menacing memento mori.