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Industry-indUstry






 

Word stress performs 3 functions:

1) A constitutive function. It constitutes a word, it organizes the syllables of a word into a language unit having a definite accentual structure.

2) A recognitive function. It consists in a correct accentuation of words which facilitates their recognition and comprehension, because misplaced word stress betrays (выдавать) a foreign accent; do not only hamper understanding but very often produce a comic impression. Word stress enables a person to identify a succession of syllables as a definite accentual pattern of a word. It is just correct accentuation to make a listener to make a process of communication easier. Misplaced word stress prevent from normal understanding.

3) Distinctive function meaning that word stress is capable of differentiating the meaning and forms of words. The opposition of the primary stress can differentiate parts of speech. Similar expressions can be found in Russian.

 

Nouns Verbs
'conduct con'duct
'export ex'port
'subject su'bject
'insult in'sult

 

 

Similar examples can be found in Russian:

'молодец - моло'дец

'атлас - ат'лас

'здорово - здо'рово

'замок - за'мок

The opposition of the secondary stress to the absence of stress of it is also distinctive.

to ¸ re'cover (to do sth again) ¹ to re'cover (to get well)

In conclusion: be careful in using not only primary stress but also secondary stress in English polysyllabic words.


Intonation

  1. The concept of intonation in our country and abroad
  2. Anatomy (тщательный анализ) of an English intonation group (pattern)
  3. Functional approach to intonation

Prosody – просодия

Optional – необязательный

Attitude

Timbre – тембр голоса

Nuclear – ядерный

To emphasize – подчёркивать, ударять

Descending – нисходящий

Ascending – восходящий

To imply – подразумевать, означать

To fulfil - осуществлять

To interpret – интерпретировать

As is known, the information conveyed by a sentence is expressed not only by proper word and grammatical structure, but also by intonation. No sentence can exist without intonation. As Allan says “Sounds constitute the body of words. Words give only a rough guide to meaning, while intonation is the soul of speech”. Different phoneticians define intonation differently.

Soviet phoneticians stayed that intonation is the complex unit of 3 components, formed by variations of voice pitch, loudness (the sentence stress) and tempo (the rate of speech with pausation). Some linguists regard speech timbre as the fourth component of intonation. But up to now timbre hasn’t been sufficiently investigated. Moscow phoneticians speak of three prosodic components of the intonation. The word “prosody” substitutes the term intonation. This complex unit together with the grammatical structure and the lexical composition of the sentence serve to express the speaker’s ideas or thought, his emotions, feelings and attitude, towards the contents of the sentence or reality.

Foreign linguists have another approach to intonation. In the British tradition intonation is associated only with a pitch variation (melody) only. They think it has an important function of conveying a message. Armstrong and Ward: “By intonation we mean the rise and fall of the pitch of the voice when we speak”. Daniel Jones: “Intonation may be defined as the variations that take place in the pitch of the voice in connected speech”. Later he had to admit “there are, however, important relations between intonation and stress in English”. Jimson also interprets intonation as “variation of pitch – rises and falls in pitch level, emphasizing the fact that various degrees of accentuation in an utterance may be signaled by means of intonation”. American phoneticians do not consider stress as a component of intonation, although they also regard voice pitch and stress closely connected with each other. As is known, each syllable is pronounced with a definite voice pitch, each syllable also bears a certain stress; together with tempo they form an intonation pattern (group).

Parts, the intonation pattern consist of:

1) The nuclear tone (ядерный тон) is the most important and imphonic part

Kingdom (a famous British linguist) singles out 7 nuclear tones – low fall, high fall, low rise, high rise, fall rise, rise fall, rise fall rise. First 5 are obligatory, while rise fall and rise fall rise are optional and can be substituted by fall rise.

2) “The tail” (заядерный тон) that follows the nuclear tone, but is not independent. It follows the direction of the nuclear tone and together with the nuclear tone it forms the so-called “terminal tone” (терминальный, конечный тон)

 
 


it’s summer

       
   

 


3) The pre-head (предшкала), the first unstressed syllable, which is not so much important. The first unstressed syllable. We can distinguish low pre-head anв high pre-head.

 

 
 


Will you do me a favour? low pre-head

 
 


With pleasure mid pre-head

 

 
 


I don’t know high pre-head

 

 

4) The head (шкала) in English is a flexible segment. It stretches from the first stress syllable up to the nuclear tone. Head patterns are classified into 3 major groups: descending, ascending and level (ровная). In descending heads the voice usually moves down from a medium or high pitch level to the low one. Descending heads may be of different types, but normally we use the falling head, when the stressed syllables move down by steps, and unstressed syllables fall down continuing the descending direction. In ascending heads the voice moves up by steps and the unstressed syllables continue the rise. In level heads all the syllables are pronounced on more or less the same notes of a pitch levels. If they happen to be on a high level, the head is called the high level head. If the syllables are pronounced on the medium pitch level, the head is called the mid level head. And stressed syllables are pronounced on the low level constitute the low level head.

It’s of interesting to mention that the parts of the intonation pattern can be combined in different ways and these combinations can express different meanings. The phrase (not at all) can be pronounced differently. 1. The attitude is reserved and calm (high level head; low fall). 2. The meaning is a sort of surprise (high level head; high fall). 3. It sounds encouraging and very friendly (high level head; low rise). 4. It may sound either protesting or very intensely encouraging (high level head; fall rise).

 

Normally the intonation group has a communicative centre, which conveys the most important part of intonation. The number of communicative centres (or the number of nuclear tones) may affect the meaning of the sentence.

1) Do you want to go to the theatre or to the cinema? – it’s an alternative question, cause here we have 2 intonation groups, two nuclear tones and choice is meant. (low rise & low fall)

2) Do you want to go to the theatre or to the cinema? – it’s a general question, because here we have only one intonation group, one nuclear tone, the meaning is a bit different (Would you like to go out?) (low rise only)

Nuclear tones which indicate the number of intonation groups may affect the meaning of the sentence.

My sister who lives in London has just arrived. – if we pronounce the sentence with two intonation groups it means that one of the sisters, who lives in London, has just arrived; but if we pronounce it with 3 intonation groups it means that it is the only sister, who is meant.

Besides, the opposition of the placement of the nuclear tone seems to be distinctive.






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